Today I’m here to tell you about some films you should watch if you’re getting into the horror genre. I will cover multiple subgenres, talking about one movie a piece, with some honorable mentions at the end of each subgenre. With that being said, let’s get started, shall we?? These films are in no particular order.
Halloween (1978)
When you talk about Horror, one of the most common subgenres that have always been brought up is the Slasher subgenre. Slasher films are one of the most simple subgenres of Horror, and they typically play out like this: a group of people gets carved up by a maniacal killer until one is the sole survivor.
The start of this genre can be attributed to films like Psycho and The Texas Chainsaw Massacre, but in my opinion, there’s one film that I feel did this the best out of them all. That film is 1978’s Halloween, directed by John Carpenter (a man who’s seen as one of the masters of Horror). Halloween has a simple storyline, but it also has a lot of depth in its characters and its villain, Michael Myers.
Halloween is the movie that laid out the blueprint for slasher films going forward. Without it, you may never have gotten films like Scream or Friday The 13th, or The Burning. So it’s for that reason that I say you should make Halloween (1978) your first foray into slashers.
Honorable mentions include: A Nightmare On Elm Street, The Texas Chainsaw Massacre (1974), Scream (series), Friday The 13th 4: The Final Chapter, Child’s Play Trilogy, and The Burning.
The Lost Boys
The Vampire subgenre is one with a rich history. From Nosferatu in the days of the silent film in the 1920s all the way to today, vampires have been a staple of the genre, and the quality of vampire films has gone through some ups and downs.
The Lost Boys is a masterpiece from this subgenre, in my opinion. A vampire film set in the 80s with the style of the decade on full display, a soundtrack that’s one of the best in Horror, and a coming-of-age tale as well.
The film centers around two brothers moving to a town named Santa Carla, a city that looks peaceful but hides something sinister. That being a group of the hippest and cool-looking vampires you’ll see in this subgenre. The vampires in this movie are also some of the creepier ones you’ll find in this subgenre, so it’s a nice balance of style and creep factor that director Joel Schumacher accomplished in this film.
There are many films I could have chosen for a vampire movie, but The Lost Boys is THE film that perfectly sums up how great the vampire subgenre is.
Honorable mentions include: Fright Night (original), Dracula (1933), Near Dark, and 30 Days of Night.
Night of the Living Dead
George A. Romero’s zombie flick from 1968 remains a staple of the zombie subgenre. I chose this film specifically because it showcases what you can do on a tight budget, and it’s one of the earliest horror movies to be used as a vehicle for social commentary.
The budget for this film was 114,000 dollars, which is ridiculous considering how good the film looks. The zombies' effects look great, and the storytelling is top-notch. The social commentary is also great in the movie as it uses the zombies to shine a light on social ills such as racism. It also sets up an excellent point of equilibrium from the start for you as the viewer. The film sets the town up to be read as Anywhere, USA, which shows you as the viewer that this is NOT a foreign land, but it’s happening right in your backyard.
It also functions to utilize your expectations of this world regarding things like race, gender, and politics against you in what’s known as the disruption phase. It also sets up a point that a break between the past and the present is imminent right in the opening scene of the film. Not to mention the fact that this film is THE film that birthed the zombie genre in the first place.
These reasons and many more are why I think that Night of the Living Dead should be your first foray into zombie movies.
Honorable mentions include: The Return of the Living Dead, Dawn of the Dead(original and remake), 28 Days Later, Day of the Dead, and The Crazies.
An American Werewolf In London
The werewolf subgenre of Horror is the red-headed step-child compared to every other subgenre. Everyone usually overlooks it, no matter how great some of the films in this subgenre may be.
The best of this subgenre by far is An American Werewolf In London. Making its way to theaters in 1981 (the same year as The Howling), An American Werewolf In London came in and put werewolves back on the map after the Universal Monster Movie Era.
This film has it all: great characters, equally great storytelling, stellar special effects, and plenty of scares to go around. The special effects, made by effects legend Rick Baker, would win the first Oscar ever for Special Makeup Effects. They are one of the picture-perfect examples of how great practical effects are compared to CGI effects.
This film is also a perfect blueprint for combining comedy and horror. The Horror is this film is built beautifully, not relying on jump scares to scare you but instead it builds tension in its atmosphere and uses that tension and atmosphere to scare you.
If you watch a werewolf movie, make sure that An American Werewolf In London is at the top of your watch list.
Honorable mentions include: The Howling, Dog Soldiers, Ginger Snaps, Bad Moon, and The Cursed (2022).
The Thing (1982)
John Carpenter’s The Thing from 1982 is a film that is a picture-perfect example of how to build tension in a Horror movie. This story of a group of scientists on a base in Antarctica dealing with an alien being that can assimilate anyone it wants is one of the scariest horror movies I have ever seen.
This is because The Thing has some of THE scariest and most effective practical effects I have ever seen. Made by effects legend Rob Bottin, an understudy of fellow legend Rick Baker, the effects of The Thing have aged like a fine wine. They still look as realistic and frightening today as they did 40 years ago in 1982.
The film also does a stellar job of building tension with its sense of atmosphere and how the characters interact with each other throughout the film. The way this film portrays isolation and the feeling of loneliness in a stressful situation is displayed with pure brilliance by Mr. Carpenter.
It still blows my mind that this film didn’t do as well as it should have back in the day and that it nearly ended John Carpenter’s career because it should’ve been hailed as a horror classic long before.
Those reasons are why I say you should watch The Thing. It’s a great Sci-Fi/Horror film, and you should give it a watch if you want to see a showcase in tension building and isolation.
Psycho (1960)
The final film I want to suggest is Psycho. This film from 1960 is a master class in how to build suspense throughout a film from the master of suspense himself, Alfred Hitchcock.
The film is often shown in film schools across the country, and rightfully so because this story of a woman committing a crime and then laying low at what seems to be a peaceful motel only to find something sinister instead is a perfect showcase for character-building in a script and suspense.
You have Marion Crane, a typical hardworking American girl who decides to steal some money her boss gave her to put in a safe and flee out of her city. Throughout the film, you see Marion experience a wide variety of emotions, and you share them too because you’re wondering, “is she going to get caught?” or “Is she going to get away with this?”.
You also get introduced to one of Horror’s icons, Norman Bates. A character who starts out as a shy, meek character but throughout the film develops into one of the creepiest characters in all of Horror, with more layers to his personality than a fresh onion.
Those reasons and more are why I say you should give Psycho a watch. It’s a great classic film that stands the test of time 62 years later.
Those are the films I believe you should see if you’re getting into the horror genre. Do you agree with me?? Do you disagree?? Did I perhaps miss any that you feel should have been mentioned?? Be sure to let me know in the comments below.
Thank you so much for reading this issue, and I’ll see you in the next one.
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